11 Design Words for Inspiration

 

IMG_2977A few months ago, I wrote a series of posts focusing on design words. In all, there were 11 posts; click on the word if you want to learn more:

1. Eclectic ”Incorporate diversity”

2. Gestalt ”Create unity”

3. Luster ”Make it shine”

4. Ambiance ”Set the mood”

5. Biophilia ”Learn from nature”

6. Translucent ”Let light through”

7. Rhythm ”Make it move”

8. Illusion ”Fool the eye”

9. Fibonacci Sequence ”Proportion! Proportion! Proportion!”

10. Transient ”Avoid fads”

11. Ergonomic ”Design for the body”

Museums: Vessels of Experience

Ada Louise Huxtable

“The true test of a museum is the impact of its contents on the heart and mind, and the sense of beauty or gratification enjoyed by the visitor as a private, personal experience. Whether the new buildings will improve this experience remains to be seen.”

Ada Louise Huxtable, New York Times, May 8, 1960

Shadowless Box

lurdes burgada flagship interior design drawingProject:
Lurdes Bergada Flagship Store

Firm:
Deardesign

Background:
680 square feet – Barcelona, Spain – 2009

retail storefront facade architectureAnalysis:

The principle idea behind the Lurdes Bergada flagship store in Barcelona is to provide clients the sensation of shopping at a street market. To allow for maximum penetration of daylight, the space is divided into two clearly defined areas. The first area, including the technical spaces such as fitting rooms and storage, is stowed behind a beachwood divider, leaving the rest of the store available for the main shopping floor. People can enter from both the street side or the park side.

The store’s design intends to reinforce the Bergada brand identity of simplicity, purity, and industry. Materials such as concrete and cement simplify the architectural reading of the store. The natural beachwood skin stands in contrast to the surrounding cement, lending the wooden structure a contemporary, cavelike appearance.

storefront architecture modern

Reflection:

At first glance, the Lurdes Bergada flagship store’s industrial appearance echoes the brand’s promise of simplicity and purity. Unfortunately, the store’s staunch adherence to minimalism results in minimal answers. Based on the design of this store, one would assume Lurdes Bergada is more interested in projecting the image of simplicity than in uncovering the nuances of functionality. The space fails when you consider basic design ideas like acoustics and lighting.

In terms of acoustics, the only soft surfaces in the space are the clothes, which are sparse. Sounds may be shrill in this space, bouncing from one hard surface to another.

poor retail lighting design no shadowWhen you consider the lighting, which is central to the design concept, you discover how
Deardesign missed their target. Their attempt to incorporate as much natural daylight as possible was supplemented with eight foot, 5000K, fluorescent strip lights mounted on the ceiling. These lamps mimic the color appearance of natural daylight. The unintended effect is a vast, shadowless space with hardly any hierarchy of light levels. The diffuse fluorescent lights wash out shadows, poorly modeling the clothing’s textures. More light is landing on the huge, boring cement wall than on the merchandise. These lighting design flaws may be overlooked elsewhere, but they are near suicide in retail.

Sure, the solutions are simple, but they are superficial too. At the Lurdes Bergada flagship store, simplicity takes precedence over nuance, and image over comfort. The result? Indifferent, insecure, and impersonal architecture, highly stylized in clichés.

interior design lurdes burgada flagship

References:

Lurdes Bergada / Dear design” 02 Feb 2011. ArchDaily. Accessed 03 Feb 2013.

Deardesign (2009) A Contrasted Space. Retrieved February 3, 2013 from 

When the West Won

Project: Wadi Rum Desert Resort, 2013

Firm: Oppenheim Architecture & Design

Background: 80,000 SF – Wadi Rum, Jordan

Wadi Rum Desert Resort Architecture Wadi Rum Architecture E Wadi Rum Architecture D Wadi Rum Architecture C Wadi Rum Architecture B

Chad Oppenheim and his firm’s design for the Wadi Resort will carve 47 minimal lodges out of the sandstone and granite rock formations found in the desert in Wadi Rum, Jordan. Using existing geological geometries and rammed earth structures, the design will harness the land’s natural beauty to create a luxury guest experience. Renderings provided by Oppenheim Architecture & Design depict minimal spaces that weave in and out of the rock formations, revealing expansive desert vistas.

OAD’s background in sustainability will permeate the project. Designed with a passive means of cross ventilation, the resort takes advantage of the natural cooling effects of the rocks, minimizing energy consumption. The structure will consist primarily of local materials. To mitigate the disruption of natural habitats, existing plants and animals have been surveyed. Water conservation measures will be established for both human use and for site irrigation.

In regards to architectural form, the design for the Wadi Rum Desert Resort represents a reinterpretation of the relationships between context and structure. Describing the project, OAD wrote, “the conceptual point of departure has its roots in the tectonic and geological histories of the region.” Demonstrating how spaces can be created through subtraction, cavernous rooms carved amongst monolithic rock formations blur the lines between architecture and the environment. The resort is a symphony of form, space, and light. This integration with nature is the project’s most outstanding quality, leaving no doubt about OED’s attention to environmental considerations.

From a cultural standpoint, however, little about the Jordanian culture is reflected in the interior of the space. Due to its highly westernized, minimal styling, the resort appears as if it could have been built in any desert, anywhere. It does not seek to make statements about local culture, music, art, and cuisine, instead it offers a neutral, retreat-like atmosphere. In spite of the dramatic views and imposing angled planes, the interiors lack vibrance.

All in all, the resort responds beautifully to local geological conditions, but falls a short on delivering an experience unique to Jordan.

Wadi Run Desert Resort Architecture Z

References:

Moore, A. (2012, March) Wadi Resort by Oppenheim Architecture & Design (Electronic version) Interiors & Sources

Oppenheim (2012) Wadi Rum Desert Resort Retrieved January 26, 2013 from http://www.oppenoffice.com

Architectural Tour of Austin City Limits Live

This music venue has hosted acts as diverse as Willie Nelson, Jay-Z, Elton John, and Diana Ross. The building is LEED-certified and boasts one of the most advanced lighting systems to date.

PS: Thank you to Kassandra Gonzales, Jennifer Jaques, and the Illuminating Engineering Society for organizing the tour.

Create Unity from Variety

“Architecture of complexity and contradiction has a special obligation toward the whole: its truth must be in its totality or its implications of totality. It must embody the difficult unity of inclusion rather than the easy unity of exclusion. More is not less.”

Robert Venturi, 1966

Vanna Venturi house

Vanna Venturi house

Conversation with Corey Davey, Interior Designer

toms style your sole interior design community serviceI interviewed Corey Allen Davey, President of Texas State University’s American Society of Interior Designers, about a recent TOMS Style Your Sole event held in San Marcos, Texas. SYS is an event in which students create custom TOMS shoes using paint, sequins, ribbons, and other decorative supplies.

Th interview was submitted to Plinth & Chintz, online magazine, for publishing. Read the full story here: Learn, Baby, Learn

Case Study: Increasing Light Levels to Promote Alertness

Observations:

I was curious about how much light was reaching my desk at home, so I measured the light levels and recorded a range from 25 to 30 lux. Even with the window open, light levels at my desk were only 32 lux. I began to measure other surfaces throughout the space, with similar findings. Sitting on my bed, where I often read, I was measuring only 25 lux on my lap. In my dress area, I was measuring 30 lux on my full-body mirror.

The Illuminating Engineering Society recommends closer to 300 lux for tasks such as reading, writing, and dressing. This means that my room’s light levels at task planes were only one-tenth what IES recommends.

The lighting in my room was non-uniform, with a warm color temperature (3000K). Using Flynn’s lighting cues, the room could have been described as pleasant or relaxed.

Here are images of the luminaires in my room:

Luminaires case study improve alertness lighting

Hypotheses:

1. The light levels in my bedroom and office needed to be increased to 300 lux on task planes to improve my productivity. (Based on IES Illuminance Recommendations for reading, writing, and dressing)

2. I needed to change the color temperature of my lamps to 5000K, which is considered near to daylight, to promote a business-like environment. (Based on IES Recommended Practices for Lighting Educational Facilities)

3. Along with increasing light levels, I also needed to mitigate visual fatigue and promote visual clarity by providing more even light levels. (Based on Flynn’s lighting cues, and IES Recommended Practices)

Experiment:

1. To increase general light levels, I changed all of my light bulbs from 13W CFLs to 20W CFLs.

2. I made sure all the new CFLs were 5000K (daylight), to promote a business-like environment.

3. To increase light levels on task planes in particular, I considered luminaire distribution patterns and placement. See Figures 1 and 2 to get an idea for how moving the luminaires changed the distribution of light within the space.

Figure 1, Luminaire Locations and Light Distribution Before Intervention:

LIGHTING LAYOUT BEFORE

Notes:
-Light penetration into the room is inadequate.
-Light is not reaching the actual task planes of desk, bed, and mirror.

Figure 2, Luminaire Locations and Light Distribution After Intervention:

LIGHTING LAYOUT AFTER

Notes:
-Light penetration into the room is better.
-Light is reaching the actual task planes of desk, bed, and mirror.

Evaluation:

The change in lamps from 13W CFLs to 20W CFLs increased the light output of each luminaire, while the 5000K color temperature does seem brighter and clearer. However, new lamps alone were not enough to significantly increase light levels at task planes. The greatest benefit came from the proper positioning of luminaires.

The linear fluorescent luminaire (Type A), remained above my cabinet, where it functions as an upper-cabinet luminaire to increase general light levels throughout the space.

The aim-able table luminaire (Type B), is now being used to throw light throughout the dress area. It is being aimed at the wall near my full-length mirror, where the light then reflects onto the nearby dresser and anybody standing in front of the mirror.

The aim-able wall-mounted luminaire (Type C), is now being used above my bed as a reading lamp. The ability to mount it almost directly above my reading surface and aim the light downward, without seeing the light source, made it an excellent task light for reading in bed. This luminaire was previously mounted in the dress area, where many of the directional qualities of this luminaire were being wasted as a wall washer. This repositioning boosted light levels on my lap for reading in bed.

The table luminaire (Type D), is now being used at my desk. It features a light diffusing shade, which allows more light to be cast on my work surface while preventing glare. I am now measuring from 150-300 footcandles on my desk, a range which allows for visually demanding tasks such as reading and writing, while levels become dimmer near my computer monitor for visual comfort. This luminaire previously was fitted with a 13W CFL and placed on my nightstand, where none of the light was reaching my lap for reading. This repositioning was a major improvement for light levels at my desk.

After spending a week in the brighter environment, I can report a definite increase in alertness. Reading comfortably is now possible at several different locations in the room. Also, the 5000K color temperature does seem to arouse associations of business and productivity.

This improvement in alertness came with a small cost: the room lacks a relaxing light setting for entertaining company. All of the luminaires are cold, bright, and unable to be dimmed, so even if I only turn on one half of my fixtures, the lighting in the room feels much less pleasant than before.

Download the PDF: Case Study – Increasing Light Levels to Promote Alertness

Learn more about the Illuminating Engineering Society

Mistakes I Made Thinking About Design

I hear and read an avalanche of contradicting philosophies about architecture and design. This does little to lend the profession the credibility that other disciplines like engineering and science have earned, which are based on a unified body of knowledge. In design, I feel pressured to endorse one view or the other, but that’s difficult to do when I see merits and weaknesses in all of the design styles, from the historic to the modern.

To remedy this, some researchers are conducting evidence-based design, which is an empirical approach to design solutions. So far, this looks promising, with studies revealing or reinforcing the benefits of age-old design solutions such as bringing plants indoors, utilizing daylight, and applying ergonomics to furniture.

Ultimately, a design should not be judged for how well it does or does not fit into a particular style, but for how well it meets the design criteria. Looking back on things I have said and written, I find that I held ideas about design that were inhibiting me from being able to analyse design objectively. Moving forward, I hope to identify and remove these barriers, and to conduct truly empirical work. This will be hard for me to do. I have grown accustomed to using grand generalizations and hyperbole as a crutch for good content. It’s time to get real, to get specific, and to start running case studies.

Please, hold me to it.

Art History 1915-1930

Here are the art history terms to an upcoming Modern Art History exam. I find Art History so fascinating, I thought I’d share. Most of these terms cover the time between 1915 and 1930.

Catalan Modernism – cultural movement associated with the search for Catlan national identity. Close equivalent to Art Nouveau/Vienna Secession. Centered in Barcelona, best known for Architect Antoni Gaudí.

biomimetic architecture - architecture that studies nature’s best ideas and imitates these designs.

Art Nouveau Biomimicry

Art Nouveau – international style of art/architecture/decor meaning “new art”. Inspired by natural forms and structures, architects tried to harmonize with the natural environment. Furniture was designed according to the whole building, design being made part of everyday life.

Vienna Secession – movement to include painters/sculptors/architects. First president was Gustav Klimt. Objected to prevailing conservatism in Vienna, concerned with exploring possibilities in art outside of confines of tradition. Embraced total design. Wanted to integrate high+low for a better society. Others included Hoffman, Olbrich.

Workshops/Work alliances – Art schools where hands on learning was encouraged. Trained architects, designed schools, embraced machines, allowed for experimentation, often published ideas/theories.

Prairie style – architectural style pioneered by Frank Lloyd Wright in Chicago. Emphasized horizontal lines, overhanging eaves, the open plan, and the fireplace as the heart of the home.

Falling Water Cantilever

cantilever – architectural principle of suspending a plane with high tensile strength by the use of a counterweight (ie: hanging a textbook over the edge of your desk by placing a counterweight on the textbook).

Austrian Modernism – extreme functionalism in Austria, fathered by Otto Wagner: “necessity alone is the ruler of art”.

functionalism – idea that form follows function.

Expressionist architecture – curvy sweeping lines, futuristic, play of light/shadow, sculptural. Think Poelzig’s Great Theater with muqarnas.

Poelzig Expressionism Lighting

Cabaret Voltaire – place where Dada artists met to do poetry, music, skits. Many writers, some visual elements.

Zurich Dada - movement of art/writing that is anti-rational, iconoclastic, embraces spontaneity, childish, nihilistic, non-utopian, yet still avant garde.

brutisme- noise music of the Zurich Dada movement, played at the meetings, embracing chance.

New York Dada – Headed by Duchamp in New York when Cubists reject his Nude Descending a Staircase. Duchamp realizes the values of intention and context in art. Movement also included Man Ray.

readymade – a common manufactured object elevated to the level of an art object. Proposed the idea that art is “designated” as well as painted/constructed… intention, presentation, and context make an artwork.

Marcel Readymade

Berlin Dada - Richard Huelsenbeck returns to Germany in 1918 to form Berlin Dada. Starting to publish ideas. Forms “Club Dada”. This type of Dada is most political of all, criticizing military/business interests.

photomontage – collage composed of mostly photographic or print materials from mass-produced sources, roots in Victorian popular activity of scrapbooking.

mechanomorphic – depicting humans as machines, especially sexualized.

Suprematism – art movement started by Malevich, reducing painting to simple geometric shapes and colors with the intent of starting at zero to get to a more supreme reality. Art about art.

Malevich Suprematism

non-objectivity – not depicting a subject in art/having no subject/object as a starting point.

Constructivism – art about making something from scratch or building something, eliminating the distinctions between technology, science, and art. Avant Garde and experimental.

productivism – the idea of putting art into production for everyday life, intent of making good design a part of each person’s life.

agitprop – derived from “agitation” and “propaganda”, describing stage plays, pamphlets, motion pictures, and other art forms with an explicitly political message. Started in communist Russia.

De Stijl - dutch for “the style” refers to the dutch group who started Neoplasticism, often used to refer to the style itself.

Neoplasticism - seeks to express utopian ideal of order, advocating pure abstraction and universality by a reduction of art and design to form and color. (Piet Mondrian, Theo Van Doesburg, Rietveld)

Mondrian Neoplasticism

Bauhaus – was a school in Germany that combined arts and crafts. Gropius said: “The ultimate aim is building… decoration was once the highest art… it is to be rescued by designers/architects/artists… the true spirit of design is lost in “Salon” art…. schools must return to the workshop” Teachers here included: Klee, Kandinsky, Albers, Moholy-Nagy, and Breur. The influence of German Expressionism, while strong in early Bauhaus, had waned by the time the school relocated to Dessau, while it had become completely constructivist. Movement scattered due to Nazi opposition, spreading their ideas.

kinetic art – motion art, sometimes mechanomorphic, combining machine-like and human motions, as exemplified by the “Light-Space Modulator” by Moholy-Nagy.

Surrealism – writers/artists, ideas borrowed from symbolism, romanticism, dada, and Freudian psychology. Quote: “the reality we live in is impoverished due to western culture’s obsession with reason… we want to achieve a higher reality, a sur-reality.” Highly organized by the obsessive writer Andre Breton.

automatism – automatic painting, embracing the doodle/chance accidents/paint drips; then stepping back to analyze the loose lines, elaborating on what you find.

dream imagery – Several terms to know about dreams and the Surrealists: condensation (one object=many ideas), displacement (censor objects of real significance), representation (thought/idea translated to visual images), symbols (replace action/person/idea), secondary elaboration (make story out of various elements).

Ernst Dream Imagery

Surrealist object – visual puns, like a readymade, but there is more intention and craft into the changing of the manufactured objects, often have many layers of meaning.

gender ambiguity – refers to a person of unknown gender. Blurring the lines between male/female.

Mexicanidadthe collective identity of all the people of Mexico, “mexican-ness”.

SanteriaAfro-Cuban religion in which humans aspire to contact God-spirits. Use masks to blend real and spiritual worlds in a trance-like state.

Mexican Muralism – dominant form of art in Mexico after the revolution. Considered art for the people, it was funded by government and painted in public spaces. Portrayed heros as everyday people, tapped into mexicanidad. Diego Rivera is a famous Mexican Muralist.

Rivera Mexican Muralism

corridofolk song/ballad usually about oppression, history, and daily life for peasants.

Harlem Renaissance – 1914ish, African-Americans migrate from South to North to create a renaissance of art, music, literature, and entertainment concentrated in Harlem. Celebrate their prosperity.

Harlem Renaissance

Structures in Process

Structure in Process

Here you see structure melting at the corner.

In our classification systems, our social norms, and our organizations, there persists a crisis of structure; the crisis arises both from the restrictions imposed by existing structures which are too slow to adapt, and from the lack of new structures with which to organize the ongoing developments in society.

Structures are seldom static, and constantly undergo three major processes: construction, maintenance, and destruction. In reaction to the external pressures of the environment, structures are either being built, maintained, or phased out.

The transient nature of structures demand that their designs embody flexibility, while still providing the consistency and stability necessary to human flourishing. A structure which can remove and replace its various parts can change based on social demands, enabling the structure to remain valuable longer. This principle applies to all structures, from corporations to buildings to furniture. These are Structures in Process.

Entwined, Rendered Façade

Today, the design for the façade of Entwined, a turkish restaurant, was completed. Click on the hand-rendered drawing below to zoom into the details.

Entwined Hand Rendered Elevation

Image by Edward Bedinghaus

Read more about the restaurant concept Entwined.

See the early planning phases of the restaurant.  

Entwined, Turkish Cuisine, Concept Update

An upscale Middle Eastern restaurant, Entwined puts a bold Austin twist on traditional Turkish design and cuisine. Entwined is inspired by the tulip and the arabic script. Tulips and their sinuous vines wind through Turkish history, telling a story of nature and beauty. Incorporating calligraphic lines, geometric shapes, floral patterns, and rich hues, the restaurant evokes the timelessness of the Middle East.

restaurant graphic design

Image by Edward Bedinghaus

Compare this new logo and concept with the old logo.

Turkish Delight Restaurant – Floor Plan & Schematics

I completed the schematic phase of the restaurant design. Click on the images to view the design presentation:

Ergonomic, Design Word 11

3 things to remember:

1. Definition

The word “Ergonomic” is used to describe things that have been designed to fit the human body and mind. Ergonomics is a multi-disciplined, well-researched approach to design. In many ways, it is closely related to the word “user-friendly”, which describes the ease of use or learnability of a device. When something has been designed to be ergonomic, it will also be user-friendly.

2. Brief History

Gilbreth ran time and motion studies on typists

Gilbreth ran time and motion studies on typists

Ergonomics literally means “natural work laws”, it has been around since the Greeks. Early ergonomics focused on physical and measurable tasks. Fast-forward to the industrial revolution, when Frederick Winslow Taylor refined our approach to ergonomics through scientific management, which sought to make tasks more efficient by design. Later, Frank and Lillian Gilbreth ran time and motion studies to measure various task durations, trying to eliminate unnecessary steps in work life.

Largely in response to the information age, today ergonomics concerns itself with mental tasks as well. Research is carried out by militaries, businesses, and academies to find out more about how humans enjoy working most. There is even a growing trend towards “gamification”, or turning work in to play.

3. Design Applications

-Interiors that are more accessible to wheelchair users and the visually impaired.
-Offices that minimize strain on your back and wrist.
-Computer programs or websites that are easy to use and browse.
-Posters and flyers that account for the human visual system’s capabilities.
-Restaurants that make it easy for the staff to serve clients.

Today, if a design is not ergonomic, it will likely fail.

Learn More:

Ergonomic

User-friendly 

Frederick Winslow Taylor 

Scientific Management 

Frank and Lillian Gilbreth 

Time and Motion Studies 

Gamification 

Water Fountain Perspective Sketch (Restaurant Design)

I’m sketching water fountain ideas for a Turkish restaurant design. Here you see the scalloped arch and the tulip, both timeless Turkish motifs, updated with bold mixed materials.

water feature sketch perspective

Image by Edward Bedinghaus

See more sketches of this Turkish Restaurant.

Learn more about why I used the tulip motif.

Turkish Delight: Restaurant Logo Design

Turkish Delight, the Middle Eastern restaurant design, is moving along (You can see the initial design sketches). However, more recently, I’ve been working with the logo design. It’s a combination of Arabic calligraphic lines and a graphic tulip. The tulip is a common motif in Turkish design (something I learned thanks to a blog reader who sent me an email upon reading the post of my initial design sketches).

I’m really not happy with the font right now, because there’s just too much curly q’s all over the place. What do you think? Should I lose the font for something more basic to make the logo stand out more? Let me know, either comment below, or send me an email.

Turkish Delight Restaurant Graphic Design

Image by Edward Bedinghaus

Turkish Delight: Restaurant Design Sketches

I’m working on a design for a Turkish restaurant in Austin, Texas. It’s called Turkish Delight. Incorporating calligraphic lines, geometric shapes, floral patterns, and rich hues, the restaurant will evoke the timelessness of the Middle East. I’m in the early planning phases, do you have any suggestions?

Restaurant Perspective Sketch Rough

Notice the calligraphic lines and the scalloped arches.

This graphic will be incorporated into the menues, uniforms, and logo.

I will keep you posted as the restaurant’s design progresses. To see more of my work, go to my portfolio or to my perspective sketches.

Transient, Design Word 10

Transientadj. 1. Passing very quickly into and out of existence.

Transient designs come and go. They are fads, and should be avoided like the plague. Unfortunately, too many designers specify colors, styles, and technologies that will need to be quickly replaced in 2-3 years, creating unnecessary waste of materials, money, and time. These costs are often passed onto the consumers. Not to mention, transient designs are often kitschy testaments to the pop culture of any given season, just look at the hairstyles in your high school yearbook to see what I mean.

How do we separate the designs that are here to stay from the fads? Check out these 3 safeguards:

1. Consider who you’re buying from. Large corporations that rely on stockholders need to see an increase in sales every quarter, leading to seasonal tweaks in their designs that incentivize consumers to purchase newer models. Whereas independent designers and manufacturers that rely on their reputation to increase their business prospects create designs to be remarkable and unique.

2. Resist the urge to keep up with the latest technologies and styles. ”New” doesn’t always mean “improved”. Focus on designs that satisfy real needs, rather than border on being toys. Since the 1940′s, 50′s, and 60′s, many design branches of large corporations work hand-in-hand with the marketing departments to create features you don’t need so you replace your old model with the new one. “The machine is like a toy: typewriters, phones, kitchen gadgets, washing-machines, cars, garden tools all have their serious value, but the sensual and visual functioning that is increasingly the designer’s main concern provide the pleasure of games.” (Richard Hamilton, 1960)

3. Beware of the bandwagon effect. Just because everyone else is doing it does not mean it’s okay.

Fibonacci Sequence, Design Word 9

The Fibonacci sequence is a popular theme in culture, often mentioned in books and movies. Humans have been fascinated with these numbers for over two thousand years, using them in music, art, and architecture. Thickening the plot, the sequence is found in biology and nature. Our affinity for Fibonacci numbers may be biologically hardwired from our evolutionary history, which was primarily lived outdoors.

Mathematics

The Fibonacci sequence is a series of integers; the first two numbers in the sequence are 0 and 1, and each subsequent number is the sum of the previous two:

0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144… 

Art and Music

In music, Fibonacci numbers can be used to determine the intervals between notes in a given key or to determine the structure of a composition. Furthermore, the sequence is used in art, design, and architecture to determine the length or size of content or formal elements. Below, you can see the structure of a Fibonacci spiral, and how its structure relies on the underlying sequence of numbers:

fibonacci-sequence

Nature and Biology

Fibonacci sequences appear in nature, such as the arrangement of leaves on a stem or the branching pattern in trees. Here, you can see the growth pattern of sunflower florets follows the Fibonacci spiral closely:

fibonacci-sunflower    

Conclusion

The Fibonacci sequence indicates that the human love affair with nature is more than skin deep. Timeless geometric principles underly even the most fanciful designs, in nature and in culture.

Resources: Wikipedia “Fibonacci Number”

Read more about how nature benefits humans.

Designers Need to Speak Up

In practice, by carefully documenting and presenting their design rationale, designers are in a position to educate clients on the merits of superior design. Designers are liaisons between breakthrough ideas and the general public. They build a bridge between the scientist’s research and the user’s product; designers fill the gap between the artist’s vision and the user’s experience.

Granted, designers must be knowledgeable and culturally relevant, but they must also speak up.

Speak Up

From AWIB.tumblr.com

Read more about the role of designers…

See infographics of specific ways design has shaped society.

Illusion, Design Word 8

“Art is a deception that creates real emotions — a lie that creates a truth. And when you give yourself over to that deception, it becomes magic.” (Marco Tempest, TED Talks)

Good design creates objects that utilize illusion. Shared by most people, an illusion is a distortion of a true sensation. Illusions reveal how sensory input is interpreted in the brain.

For example, illusion is the backbone of fashion design. Apart from providing comfort, clothes affect how others see our bodies. Most men and women invest ample time in maintaining a wardrobe that will be flattering, or at least presentable. Being aware of the illusions various shapes, patterns, and textures create can improve one’s chances of dressing well, as the slightest variations in cut can make or break an outfit.

Similarly, interior design and architecture rely on illusion. For a small bedroom, small prints and patterns–instead of large ones–make the room appear substantially larger; mirrors or lightly colored walls also provide a sense of spaciousness. In architecture, gothic cathedrals use pointed arches and vertical lines to create the illusion of height within their massive walls. True, none of these design tricks actually increase the amount of useable space, but they create the illusion of more space.

illusionsomething that deceives by producing a false or misleading impression of reality. Latin illūsiō - irony, mocking.

Ginger and Fred Building

Frank Gehry is known for his use of illusion in deconstructivism.

Read more about how people process visual information.

2 Habits to Make You Smarter

We all want to be smarter, but how can we do that? Here are two simple things you can do daily to sharpen the saw:

1. Journaling improves your written communication skills and provides you time for introspection. It has the added benefits of clarifying hazy subjects and mentally forming new connections between disparate parts. Much like drawing a face would give you intimate knowledge of that face, writing familiarizes new concepts.

2. Reading has similar benefits to writing, with the added bonus of introducing new knowledge into your repertoire. This new knowledge can then become the fodder for conversations around the office or the catalyst to new insights at work. Also, reading regularly and diligently will improve your critical thinking skills, which are necessary in any prestigious position today. The expression “read to achieve” doesn’t only sound true, it is true.

How do you sharpen the saw? Share your comments below. To read more brain-enhancing tips, see “5 Brain Boosting Tips”.

Thinking

Rhythm, Design Word 7

Rhythm is a succession of strong and weak elements that creates motion. For example, the beats in music are either strong or weak, creating desirable tension and release. Arrangement of elements in any design requires rhythm to create meaning and emotional value. Rhythm is essential to a design’s coherence.

There are four main types of rhythm:

Metric Rhythm

Metric Rhythm (houseofdrumming.com)

Flowing Rhythm

Flowing Rhythm (futurity.org)

Spiraling Rhythm

Spiraling Rhythm (wikipedia.org)

Climactic Rhythm

Climactic Rhythm (waxebb.com)

Design tips:

-Use rhythm to create desirable motion of the eye and body through space.

-Use rhythm to create tension and release in your designs.

Resources:

Wikipedia.org

Dictionary.com

Design Through Discovery By Marjorie Elliott Bevlin

Translucent, Design Word 6

Translucent

adjective

permitting light to pass through but diffusing it so that persons, objects, etc., on the opposite side are not clearly visible: Frosted window glass is translucent but not transparent.

Design tips:

Frosted glass is often used in commercial office spaces because it reduces the lighting’s energy load by allowing for the transmission of light between spaces while providing privacy.

Materials such as fluorite, alabaster, and marble vary greatly in their degree of translucency and must be used with caution. When properly applied to a space, these materials can add an ambiance and mood otherwise unattainable. Translucent materials are especially useful in decorative applications such as luminaires and back-illuminated wall panels.

translucent fluorite

When light passes through fluorite, objects can no longer be distinguished because the light has become scattered and obscured.

translucent design

Marble cut into thin slabs and back-illuminated to provide a warm glow.

Resources:

Dictionary.com (definition)

Alshamsitrading.com (image of marble)

Separate the Word “Design” from the Word “Aesthetics”

“Aesthetics” represent only one facet of design. Consider human and environmental factors alongside aesthetics:  today user-friendliness is as appreciated as beauty is, and designing sustainably is a no-brainer. Step outside the decorator’s box to take your designs to the next level. Embrace breadth.

think outside the box

Biophilia: Design Word 5

Biophilia, coined by social psychologist Erich Fromm around 1965, means “love of life or living systems.” Edward O. Wilson wrote Biophilia in 1984, defining biophilia as “the urge to affiliate with other forms of life.” Wilson suggested that humans share an instinctive bond with living systems such as plants and ecosystems. Scientific studies also point to measurable benefits on well-being from exposure to nature:

“A review of findings from the field of environmental psychology shows that humans are aesthetically attracted to natural contents and to particular landscape configurations. These features are also found to have positive effects on human functioning and can reduce stress.” Yannick Joye, 2007

The biophilia hypothesis can be applied to design by including views of nature in buildings, bringing potted plants indoors, and incorporating nature’s fractal geometry into a design’s proportions. Biophilia should not be confused with biomimicry,  which is an approach to design that studies and emulates nature.

plants indoor bonzai biophilic design

Sources:

Architectural Lessons From Environmental Psychology : The Case of Biophilic Architecture

The Economics of Biophilia: Why Designing with Nature in Mind Makes Financial Sense

Canada.com

Wikipedia.com

Ambiance: Design Word 4

dinner mood

patio atmosphere

ambiance

noun

1. A particular mood or atmosphere of an environment or surrounding influence.

Origin:  French

Ambiance is about the “whole place” experience:  smell, taste, touch, sound, and sight. Consider candles, music, good food, and beautiful visual displays when creating ambiance.